Comparison
Nikon Z 24–70 mm f/2.8 S vs. the alternatives: why the original still leads
Nikon Z 24–70 mm f/2.8 S vs. the alternatives: why the original is still the safest choice for Nikon Z and what to look for when buying used.
When choosing a standard zoom for Nikon Z, you're often deciding between the original and third-party lenses. Sigma and Tamron offer great alternatives for many mounts, but Nikon Z is a special case. I'll go through why the Nikon Z 24–70 mm f/2.8 S is still king of its category and when it makes sense to look elsewhere.
S-line lens quality
The original Nikon Z 24–70 mm f/2.8 S isn't just another zoom in the lineup. It's a top-tier design built specifically for the Z mount, and the result is exceptional edge-to-edge sharpness even wide open.
According to its MTF charts it reaches top-level contrast and resolution, which is crucial on modern high-resolution bodies. In practice, this means you lose virtually no quality even with demanding prints or edits.
An aperture of f/2.8 is the gold standard in this class: it lets you separate your subject from the background well and keep shooting in low light.
Alternatives for the Z mount
Many photographers are waiting for Sigma and Tamron to release equivalent lenses directly for the Z mount. So far, though, Sigma has been focusing mainly on L-mount and Sony E – even both 24–70 mm f/2.8 DG DN Art zooms listed below are made for those mounts, not for Nikon Z.
So for Nikon Z there's still no fully fledged direct competitor in the professional 24–70 mm f/2.8 zoom category. There are lenses from other makers, or older glass on an adapter, but these often offer only f/4, or don't match the speed and sharpness of the original.
That's why the Nikon Z 24–70 mm f/2.8 S still holds a privileged position in this range.
Autofocus
On a modern Nikon Z system, focusing speed and accuracy are key. The Nikon Z 24–70 mm f/2.8 S drives its elements with two quiet motors that focus quickly and accurately. Eye and face tracking therefore work flawlessly for both stills and video.
Adapted third-party glass or older lenses are more prone to so-called “hunting” – searching back and forth for focus. The original is a reliable partner here that won't let you down, whether with fast movement or in low-contrast scenes. For sports and documentary work, that's an indispensable quality.
Price on the used market
At hafoto.cz you can find this lens in various conditions. A new copy sits in a higher price bracket, which reflects its status; used copies are often in very good condition.
When buying, check mainly:
- the glass – whether it's scratched or has fungus
- smooth zooming and reliable focusing
Because it's a key lens for many photographers, its used price stays high. It still offers better value than a new copy, though, if you don't mind buying used. It's an investment that pays for itself through long-term reliability.
Conclusion
The Nikon Z 24–70 mm f/2.8 S remains the safest choice for professionals and enthusiasts alike. Until Sigma and Tamron offer a direct alternative for Z with similar specs, this lens keeps its lead.
At hafoto.cz you'll find quality used copies that let you get into Nikon Z without paying the full price of a new lens. If you're after reliability, sharpness and speed, it's worth it.
Objektiv
Nikon Z 24-70mm f/2.8 S
Objektiv
Sigma 24-70mm f/2.8 DG DN Art II (L-Mount)