Buying advice
Best value for money for photo and video
Where the sweet spot between price and performance lies among today’s affordable bodies and lenses – and why a previous-generation full-frame body is often the smart buy.
When looking for the best value for money, we often chase the newest generation, which promises everything. Usually, though, the best choice is a previous-generation full-frame body in perfect condition.
You get 90% of the top-end specs for significantly less money, because you’re not paying for “newness”. Autofocus and screens are already at an excellent level, so most users won’t notice the difference compared with the latest models.
What to focus on when buying
With used gear, the key is to verify the condition and think about how you’ll actually use the body. With models like the Canon EOS R6, Sony A7 IV or Nikon Z6 II, check the shutter count and the overall condition of the weather sealing. All of these bodies offer reliable autofocus and great video capabilities.
With the lenses I currently have on offer, such as Sony GM or the Sigma 24–70 mm Art, what matters is the cleanliness of the glass and a working aperture.
If you’re looking for an all-round body, the Canon EOS R6 Mark II is top-notch. But if you only need stills, the older R6 or A7 IV will give you comparable image quality for less.
How to choose the right lens
Even the best camera is useless without the right lens.
- Portraits and bokeh: 85 mm f/1.4 or 50 mm f/1.4 is ideal.
- Street and landscapes: 35 mm f/1.4 works very well. The Sony 35 mm GM f/1.4 is also a great choice for low light.
If you can’t find the ideal combination, focus on the condition of the body and the lens. An older body with a clean lens is better than a newer body with damaged glass.
Common beginner mistakes
Many people underestimate the weight and size of lenses. For everyday shooting, the Sony 35 mm GM f/1.4 is a practical and light choice.
An APS-C body like the Canon EOS R7 is great for travel, but it’s harder to get shallow depth of field with it, and in low light it has more noise than full frame. If you plan to expand your system, choose a body whose mount offers the lenses your future plans call for.
Tell me your budget and what you mainly shoot – I’ll find the best value for your needs.
Objektiv
Sigma 24-70mm f/2.8 DG DN Art II (L-Mount)